Fun.

In a move surely designed to make me say "damn" and drink a beer, The Format announced months ago via MySpace that they will not be making any more records. I didn't write about it at the time because if you look back at February, I wasn't writing about much of anything. But it seriously sucked, sucks, and will suck.

That said, an announcement went up today about Nate's new band, fun. Stupid name perhaps, but it's exactly the word I'd use to describe the demo (download available with login) of "Benson Hedges," currently the only song available on the site. Which is a neat concept, really. Imagine if other bands followed suit. What a great day it would be when Animal Collective changed their name to WTF.

If you've got some time to kill and are interested, Nate also posted a long letter to his fans about what he's been up to so far in 2008 here. Make sure you go to the bathroom before you click if you want to get through it uninterrupted.

I guess this is a trend? I kinda like it.

To commemorate the 15 year anniversary ATO reissue of the had-been-out-of-print Exile In Guyville, Liz Phair recently announced a second round of shows that will feature a beginning-to-end performance of the album.

In celebration of the 15th year anniversary of the groundbreaking album Exile in Guyville and its reissue by ATO Records, Liz Phair will perform the entire album at three engagements: August 27 at Theater of the Living Arts in Philadelphia; August 28 at 9:30 Club in Washington DC; and August 29 at The Paradise in Boston. Tickets go on sale Wednesday, July 23 via Ticketmaster.

These three additional shows come on the heels of four hugely successful sold out June events - two in New York City and one in each San Francisco and Chicago. Said Jon Pareles of The New York Times in his recent review of one of Phair's Exile in Guyville shows, "After 15 years of other people's indie-rock idiosyncrasies, "Exile" still holds up in all its conflicting impulses: its determination to be 'adamantly free' and its longing for someone to trust, its swagger and its pain." A modern classic, Pitchfork recently gave the album a 9.6 rating while both Rolling Stone and Blender gave Exile in Guyville a perfect score of five stars ("*****").

A few notes:

1. I never knew Exile In Guyville was written as a song-by-song response to Exile on Main St. before. I guess there really are things to be learned from press releases after all.
2. I'm sure he wasn't the first to do it, but the first guy I recall recently doing full-album performance of records that weren't by Pink Floyd was Ben Kweller a while back. This could be an ATO thing, then? Or maybe just coincidence. What am I, motivated to do research? If it were an ATO thing, though, It'd be rad to see Mike Doughty do all of Skittish.
   
3. Here are 5 other records I'd like to see performed in full (off the top of my head):

• Bruce Springsteen - Greetings From Asbury Park, N.J.
  
• Idlewild - The Remote Part
• The Format - Dog Problems
• The Decemberists - Castaways & Cutouts
• Stone Temple Pilots - Tiny Music...Songs From The Vatican Gift Shop (Quiet, you.)
• *BONUS SIXTH* Tom Waits - Rain Dogs
  

Note: this is not just an excuse to post a bunch of Amazon links in fact The Format's link is to Amie Street, this is a prompt for discussion.

Amie Street gets funding from Amazon

It's been announced today that music-store-slash-social-network Amie Street has closed its Series A funding with Amazon leading the investing.

As it's been explained to me, this has nothing to do with Amazon's own eventual entry into the digital music retail space. The belief is that there will be more than one winner in the digital music future, Amie Street and Amazon hit different demographics, and Amie Street's unique model positions them well for success.

There are some social networking aspects to the service (befriend other users, etc.) but at its heart Amie Street really hinges on two concepts:

1. The users of the site determine the price of a song by purchasing it. Each song begins at $.00 and inches up towards $.98 as more people purchase and "REC" it. Artists get 70% of the revenue after Amie Street recoups $5/song.
2. After a user has RECed a song, they can cash out their REC at any time for a credit equal to the difference between the current price and the price they RECed it at. So if I like a song and REC it at $.08 and it goes up to $.50, I can earn myself $.42 of credit to buy more music. Users get a limited number of RECs when they purchase credit.

As far as what's on there, a lot of it is music uploaded by artists themselves, so some of it's great (The Seedy Seeds) and some of it isn't. Some forward-thinking labels (Nettwerk, notably) have been playing ball as well, so marquis names like The Format are starting to pop up.

AND THERE IS NO DRM.

I've thought it's a cool idea since I started using the site last year, but nobody really cares what I think. Amazon's endorsement, however, that's a pretty big deal. Things are looking up for the fledgling service.

[amiestreet.com]

Disclosure: I've recently been doing a bit of work for Amie Street...mostly writing reviews.

The Format giving away Dog Problems for free!

In honor of the one year anniversary of their masterpiece (and my favorite album of 2006) Dog Problems, The Format are giving the record away as a free download from theformat.com. The record will be available from June 25th to July 16th.

Interested parties need only to enter their email in this form to sign up for the band's email list, and a free, DRM-less digital copy of Dog Problems will be made available for download.

Truly, absolutely, and completely, there is no good reason in the world for you not to do this. Dog Problems was and is a triumph, and even if you already own it, you should sign up simply to encourage an independent band to continue to do such cool things for their fans, and their future fans.

[myspace.com/theformat]